5 Non-Fiction Writing Tips for Authors - Writing Tips with Proofed

5 Non-Fiction Writing Tips for Authors - Writing Tips with Proofed 5 Non-Fiction Writing Tips for Authors It’s a little ambitious to talk about â€Å"non-fiction writing† in general. After all, â€Å"non-fiction† technically covers everything from school textbooks to deeply personal memoirs. But we’ve come up with a few tips that we think can help anyone who wants to become a non-fiction author. 1. Read, Read, Read! As with any kind of writing, the first step to becoming an author is to become a voracious reader. Heres a few books to get you started. Think about your favorite non-fiction books and what makes them great. Dip into some of the classic non-fiction works to expand your horizons. Find out what you enjoy reading, then use that as a starting point to develop your own authorial voice. 2. Types of Non-Fiction There are many different types of non-fiction. Some major varieties include: Academic textbooks Biographies and memoirs Manuals and technical guides Travelogues Recipe books Self-help guides Popular history and science books This isn’t a complete list by any means! If you want to write a dictionary, for example, you can do that too. The point is that, once you know the type of non-fiction you want to write, you should check out how other books in the same genre are written so you know what you’re up against! 3. Pick a Topic and Do Your Research Eventually, you’ll have to pick something you want to write about. Ideally, this will be something that you already know or care passionately about. This will make it easier once the hard work of doing research begins (e.g., reading existing books, searching news archives, interviewing people). But maybe you’ve always known that you want to write a book about toasters. And maybe you’re already an expert on heating bread. That’s a great start! But you still need to check your information and organize your research so you know what to include in your book. A basic model. Uneven browning. 4 out of 10. 4. Getting Creative? Non-fiction doesn’t have to be dry in order to be factual. In fact, some of the best non-fiction is exciting and emotive, making the reader feel like they are part of the action! The key to this is sticking to the facts, but also using a literary style to engage your reader. And you can apply creative non-fiction techniques to any genre, so if you want to style yourself as the Hunter S. Thompson of vegan recipe books, go for it! 5. Keep It Simple Unless you’re writing for a specialist audience, try to keep your language easy to understand. You might be an expert on your chosen topic, but the average reader won’t be. Think about who you’re writing for before you begin. And don’t be afraid to ask for feedback from non-experts while you’re working. It will make sure you get your ideas across effectively!

History Of Egypt Essays - Ancient Near East, Civilizations

History Of Egypt Essays - Ancient Near East, Civilizations History Of Egypt The Egyptians had never willingly submitted to the rule of their Semitic shepherd kings and around 1600 A.D. a long patriotic movement got rid of these foreigners. Followed by a new phase or revival for Egypt, a period known to Egyptologists as the New Empire. Egypt, which had not been closely combined before the Hyksos invasion, was now a united country; and the phase of subjugation and insurrection left her full of military spirit. The Pharaohs became aggressive conquerors. They had now acquired the warhorse and the war chariot, which the Hyksos had brought to them. Under Thothmes III and Amenophis III Egypt had extended her rule into Asia as far as the Euphrates. We are entering now upon a thousand years of warfare between the once quite separated civilizations of Mesopotamia and the Nile. At first Egypt was ascendant. The great dynasties, the Seventeenth Dynasty, which included Thothmes III and Amenophis III and IV and a great queen Hatasu, and the Nineteenth, when Rameses II, supposed by some to have been the Pharaoh of Moses, reigned for sixty-seven years, raised Egypt to high levels of prosperity. In between there were phases of depression for Egypt, conquest by the Syrians and later conquest by the Ethiopians from the South. In Mesopotamia Babylon ruled, then the Hittites and the Syrians of Damascus rose to a transitory predominance; at one time the Syrians conquered Egypt; the fortunes of the Assyrians of Nineveh ebbed and flowed; sometimes the city was a conquered city; sometimes the Assyrians ruled in Babylon and assailed Egypt. Our space is too limited here to tell of the comings and goings of the armies of the Egyptians and of the v arious Semitic powers of Asia Minor, Syria and Mesopotamia. They were armies now provided with vast droves of war chariots, for the horsestill used only for war and gloryhad spread by this time into the old civilizations from Central Asia. Great conquerors appear in the dim light of that distant time and pass, Tushratta, King of Mitanni, who captured Nineveh, Tiglath Pileser I of Assyria who conquered Babylon. At last the Assyrians became the greatest military power of the time. Tiglath Pileser III conquered Babylon in 745 B.C. and founded what historians call the New Assyrian Empire. Iron had also come now into civilization out of the north; the Hittites, the precursors of the Armenians, had it first and communicated its use to the Assyrians, and an Assyrian usurper, Sargon II, armed his troops with it. Assyria became the first power to expound the doctrine of blood and iron. Sargons son Sennacherib led an army to the borders of Egypt, and was defeated not by military strength but by the plague. Sennacheribs grandson Assurbanipal (who is also known in history by his Greek name of Sardanapalus) did actually conquer Egypt in 670 B.C. But Egypt was already a conquered country then under an Ethiopian dynasty. Sardanapalus simply replaced one conqueror by another. If one had a series of political maps of this long period of history, this interval of ten centuries, we should have Egypt expanding and contracting like an amba under a microscope, and we should see these various Semitic states of the Babylonians, the Assyrians, the Hittites and the Syrians coming and going, eating each other up and disgorging each other again. To the west of Asia Minor there would be little Egan states like Lydia, whose capital was Sardis, and Caria. But after about 1200 B.C. and perhaps earlier, a new set of names would come into the map of the ancient world from the northeast and from the northwest. These would be the names of certain barbaric tribes, armed with iron weapons and using horse chariots, which were becoming a great affliction to the Egan and Semitic civilizations on the northern borders. They all spoke variants of what once must have been the same language, Aryan. Round the northeast of the Black and Caspian Seas were coming the Medes and Persians. Confused with these in the records of the time were Scythians and Samatians. From northeast or northwest came the Armenians, from the northwest of the sea-barrier through the Balkan peninsula came Cimmerians, Phrygians

Beijing Opera Essay Example | Topics and Well Written Essays - 1250 words

Beijing Opera - Essay Example This traditional Chinese theatre differs from opera, pantomime, and drama and puts more emphasis to 'Chang (Singing)', 'Nian (Speaking)', 'Zuo (Acting), and 'Da (Fighting)'. The Beijing Opera originated from the middle period of the Qing Dynasty (1644-1911) and entails four performances that include Anhui – Sanqing Troupe, Sixi Troupe, Chungong Troupe, and Chun Troupe that reside in Beijing, Tianjin, and Shanghai China1. Indeed, there were many names for Beijing Opera in its history such as Pihuang, Erhuang, Huang Qiang, Peking Opera, Pingju Opera, and Chinese Opera. However, Peking Opera that was born when the 'Four Great Anhui Troupes' brought Anhui opera supersedes the rest. Beijing Opera manifests itself as one of the cultural treasures of China. Although formed in Beijing, Beijing Opera is not the native-born but a melting opera. In the Beijing Opera, singing has the certain tune that expresses the sentiment of the dramatic persona. Taiwan preserves the art form known as Guoju though it has spread to Japan and the United States. Beijing Opera is the essence of Chinese national drama and has tremendous influence in both China and abroad. According to Beijing Opera, acting is the performance of movement and expression while fighting is the martial arts performed by dancing. At the same time, Beijing Opera appreciates the pleasing stylistic and artistic harmony of the dance and music, and art designs. Beijing Opera has very strict role division that includes Sheng, Dan, Jing, and Chou. 'Sheng' acts the masculine positive role, ‘Dan’ acts the feminine positive role, and ‘Jing’ acts the supporting role of greathearted masculine, while 'Chou' acts as a lively, humorous, quick-witted masculine. Each kind of role also has different face painting and dressing to indicate their identity. More significantly, the Beijing Opera relates to the political and military struggle and has a historical theme. Beijing Opera truly represent China culture because it keeps together the diverse elements of history, mythology, literature and poetry, singing, dancing, acting, face painting, stage fighting and acrobatics in Chinese culture2. However, during the second half of the 20th century, Beijing witnessed a steady decline in audience numbers due to a decrease in performance quality and an inability of the traditional opera form to capture modern life. In addition, the production requirements of the archaic language, and the influence of Western culture is not pleasant to the development of Beijing Opera3. In light of Beijing Opera, performance is an art topic that is very dominant in this Chinese traditional theatre. Beijing Opera performances are renowned for their very vibrant and gorgeous colored costumes. A Beijing Opera performance entails story, voice, music, movement, costumes, and makeup and stage properties4. Aria is the music for the voice of Beijing Opera belongs to the Ban-Qiang. Song music and speech in a Beiji ng performance occur simultaneously with dance movements of the performer. There are about three kinds of plays in Beijing Opera, which include the traditional play, the historical play, and the modern play. The different Beijing performance costumes are fundamental in the Beijing Opera performance. The Beijing opera costumes were mainly made of wool or coarse cloth and decorated with various meticulously embroidered patterns with special and unique stagecraft that draws a lot of admiration and love by the audience. Face painting manifest in Beijing Opera performances to display the character of the specific role and understanding of the opera’s plot5. Beijing Opera facial painting falls into four categories